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Mirror Cobalt Blue by Max Ingrand for Fontana Arte model 1669, Italy mid-century
Model 1669 mirror by Max Ingrand for Fontana Arte, a masterpiece of 1960s Italian design. This extraordinary piece features a central mercury mirror, finely beveled at the edges, framed by a nickel-plated brass frame that enhances its elegance.

The outer rim, in cobalt blue glass, adds depth and a touch of sophisticated color, creating a fascinating contrast and an atmosphere of timeless luxury. With a diameter of 71 cm, the mirror is perfect for use as a decorative centerpiece in living rooms, entrances or bedrooms.

Despite the slight signs of aging present on the mirror, due to the natural deterioration of mercury, its charm remains unchanged. The cobalt blue glass is in excellent condition, free of chips.

An icon of Italian modernism, this mirror represents a unique combination of design, art and functionality, making it a stunning addition to any space.Creator: Max Ingrand (Designer),Fontana Arte (Manufacturer)Dimensions: Height: 1.58 in (4 cm)Diameter: 27.96 in (71 cm)Style: Mid-Century Modern (In the Style Of)Materials and Techniques: Mirror,Murano GlassPlace of Origin: ItalyPeriod: 1960-1969Date of Manufacture: circa 1960Condition: ExcellentWear consistent with age and use. slight signs of aging present on the mirror, due to the natural deterioration of mercury, its charm remains unchanged.Seller Location: Nicolosi, ITReference Number: 1stDibs: LU10179242741492Shop All Fontana Arte

Fontana Arte

Best known for its elegant and innovative vintage lighting fixtures, the Milan-based firm Fontana Arte pioneered one of the key features of 20th-century and contemporary Italian design: the union of artistry and industry wrought by partnerships between creative talents chiefly architects and entrepreneurial businesses. Fontana Arte is further distinguished by having had as artistic director, in succession, four of Italys most inventive modernist designers: Gio Ponti, Pietro Chiesa, French transplant Max Ingrand and Gae Aulenti.

The bread and butter of the glassmaking company that Luigi Fontana founded in 1881 was plate-glass panels for the construction industry. In 1930, Fontana met Ponti then the artistic director of the Richard Ginori ceramics workshop and the editor of the influential magazine Domus at a biannual design exhibition that became the precursor to todays Milan Design Triennale, and the two hatched an idea for a furniture and housewares firm. Fontana Arte was incorporated in 1932 with Ponti as its chief of design. He contributed several lamps that remain among the companys signature works, including the orb-atop-cone Bilia table lamp and the 0024 pendant a stratified hanging sphere.

The following year, Fontana Arte partnered with the influential Milan studio glassmaker and retailer Pietro Chiesa, who took over as artistic director. Chiesas designs for lighting as well as for tables and items including vases and ashtrays express an appreciation for fluidity and simplicity of line, as seen in works such as his flute-shaped Luminator floor lamp and the 1932 Fontana table an arched sheet of glass that is held in the permanent collection of the Museum of Modern Art.

Six years after Chiesas 1948 death, the cole des Beaux Artstrained Max Ingrand took over as head of design at Fontana Arte. Ingrand brought a similarly expressive formal sensibility to wares such as lamps and mirrors, but he also had a masterful eye for the manipulation of glass surfaces whether they be cut, frosted, acid-etched or sand-blasted. His classic design is the Fontana table lamp of 1954, which has a truncated cone shade and curved body, both of which are made of pure, chic white-frosted glass.

Following Ingrand, the often-audacious Italian architect Gae Aulenti served as the companys artistic director from 1979 to 1996, and while she generally insisted that furnishings take second place aesthetically to architecture, she made an exception for Fontana Arte pieces such as the Tavolo con Ruote series of glass coffee and dining tables on wheels, bold lighting pieces such as the Parola series and the Giova, a combination flower vase and table lamp. As a key incubator of modern design under Aulentis tenure, Fontana Arte remained true to its long-held commitment creating objects that have never been less than daring.

Find vintage Fontana Arte lighting fixtures such as pendants, table lamps and more on 1stDibs.

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